
Movie Title: Bhartha Mahasayulaku Wignyapthi
Casting: Ravi Teja , Ashika Ranganath, Dimple Hayathi, Sunil , Satya,Vennela Kishore ,Getup Srinu , Muralidhar Goud and Ajay Ghosh
Director: Kishore Tirumala
Producer: Sudhakar Cherukuri (SLV Cinemas)
Writer: Kishore Tirumala
Music: Bheems Ceciroleo
Cinematography: Prasad Murella
Editing: A. Sreekar Prasad
Production Company: SLV Cinemas
Presented by : Zee Studios
Release Date: January 13,2026.
Filmycycle.com Rating: ⭐ ⭐ ✨ (2.5/5)
Bhartha Mahasayulaku Wignyapthi: Engaging to an extent (2.5/5)
Mass hero Ravi Teja is going through a lean phase for the past few years. Done and dusted with back to back mass entertainers, he tried a family entertainer titled, Bhartha Mahasayulaku Wignyapthi this time with Dimple Hayathi and Ashika Ranganath as the female leads. It is out for public viewing on January 13th as Sankranti festival special. Let’s Review it.
Synopsis:
Ramasatyanarayana (Ravi Teja) travels to Spain on a business trip, where he becomes infatuated after seeing Manasa Shetty (Ashika Ranganath). Though he intends to confess his mistake, he finds himself unable to do so after looking at Manasa’s face, and returns to Hyderabad without saying anything.
Returns to Hyderabad unable to tell the truth to his wife Balamani (Dimple Hayathi), and equally unable to live with the lie, Ramasatyanarayana finds himself in deep turmoil. At this point, Manasa arrives in Hyderabad. Caught between the two women, how does Ramasatyanarayana get emotionally torn apart? And how does he finally find a way out? This forms the crux of “Bhartha Mahasayulaku Vignyapthi.”
Performances:
Ravi Teja’s settled and controlled performance works well. For audiences who have been watching his back-to-back loud, mass entertainers, he appears refreshingly different here. His looks and costumes are also well designed.Ashika impresses not only with her beauty but also with her performance. Her chemistry with Ravi Teja, in particular, is well established.
Dimple Hayathi’s character feels inadequately developed and seems largely limited to the songs. Even when she appears in scenes, her presence serves more to push other characters forward rather than having a distinct character arc of her own. Sunil appears in a vintage form. Sathya’s comedy works reasonably well in the second half, but in the first half, his over-the-top performance while imitating Vijay Deverakonda ends up being irritating.
The characters played by Vennela Kishore, Sonia, and Murali Dhar Goud manage to evoke a few laughs here and there. However, Tarak Ponnappa’s role fails to fit properly into the narrative.
Analysis:
Firstly, the film has a very thin storyline with a screenplay that has been seen many times. Director Kishore Tirumala manages to deliver a few comedy blocks that work, mainly in the first half. However, the second half feels largely dragged and ends with a weak climax, though a few comedy bits aimed at the masses are ok here.
This is a better outing for Ravi Teja compared to his recent films, but it still doesn’t come together as a complete film and lacks a coherent narrative. On the whole, BMW lands somewhere between below par and watchable.
One aspect where director Kishore Tirumala deserves praise is that, despite there being ample scope for the film to cross boundaries, he has handled it with restraint and made the movie without any vulgarity. However, the sensibilities one usually expects from Kishore Tirumala are missing here. If the time spent on establishing Ashika Ranganath’s character had instead been invested in developing Dimple’s character, the central conflict evoking the “wife at home, lover in the kitchen” kind of emotional dilemma would have been far more effectively established.
Technical Department:
Technically, this is a decent film. Both the Spain and Hyderabad episodes have been presented in a very lavish manner, and the cinematographer and production team deserve appreciation for that. Bheems surprises once again.
The songs and background score suit the mood of the film well. The remixed Karthika Deepam and Pinni serial songs are especially impressive, and the songs overall are quite engaging.
Verdict:
Altogether, Bhartha Mahasayulaku Wignyapthi is an okayish family drama that has enjoyable moments in the narrative. But main problem is with the treatment when Retelling an old story in a fresh way is truly like walking on a razor’s edge. Especially when it’s a kind of story and conflict point that audiences have been watching for years, the narrative needs to stand strong through novelty in characterization. That is exactly where “Bhartha Mahasayulaku Vignapthi” falls short. Adding to this, the extremely weak ending failed to satisfy the audience.However, Ravi Teja’s performance, Bheems’ music, and a few genuinely funny episodes make the film a reasonably enjoyable watch for family audiences.
