Movie Title: K-Ramp
Director & Writer: Jains Nani
Producers: Razesh Danda, Shiva Bommak
Music Composer: Chaitan Bharadwaj
Cinematography: Sateesh Reddy Masam
Editor: Chota K. Prasad
Art Director: Sudheer Macherla
Production Companies: Hasya Movies, Rudransh Celluloids
Casting: Kiran Abbavaram, Yukti Thareja, Naresh, Sai Kumar, Vennela Kishore, Ali and Kamna Jethmalani
Filmycycle.com Rating: ⭐⭐
K-Ramp: Tiresome watch(2/5)
Noted hero Kiran Abbavaram is back with a entertainer, titled, K-Ramp. Co-starring Yukti Thareja as the female lead,the movie is being directed by a debutant named Jaanis Nani. The movie has created a buzz among the audience with its promotional content. K-Ramp hit the screens on October 18,2025. Let’s Review it.
Synopsis:
Kumar Abbavaram (Kiran Abbavaram) is the only son of a wealthy businessman, Krishna (Sai Kumar). Leading a luxurious and carefree lifestyle, Kumar shows little responsibility, which worries his father. In an attempt to instill discipline, Krishna sends him to a college in Kerala. There, Kumar meets Mersi Joy (Yukti Thareja) and is instantly drawn to her charm. Over time, their bond deepens, and love blossoms between them. Just when everything seems perfect, Kumar discovers that Mersi is battling a serious disorder. How he deals with this unexpected truth and what steps he takes to overcome the challenges that follow form the heart of the story.
Performances:
Kiran Abbavaram brings his usual energy to the role, though it feels repetitive given his past outings. Kiran Abbavaram shines as a bundle of energy in K-Ramp. His vibrant screen presence, natural body language, and entertaining expressions inject a refreshing liveliness into the narrative. While the role may seem familiar to his previous outings, Kiran brings a renewed charm and maturity to his performance, showcasing noticeable growth and confidence as an actor.
Heroine Yukti Thareja is glamorous on the screen and provides a eye candy treat in the songs. Performance- wise, she in decent in her given role.Unlike typical commercial entertainers, the heroine in this film isn’t just present for songs or glamour. The entire narrative is centered around her character, giving Yukti Thareja a well-defined and meaningful role. She looks stunning on screen and impresses with a sincere, convincing performance, especially while portraying a character dealing with a rare disorder.
Naresh is okay in the given fun role. Kamna Jethmalani is fine in her role. Other supporting artists such as Sai Kumar, Vennela Kishore are okay their respective roles.
Analysis:
The director manages to make only a few comedy bits land, while the rest of the writing is poor and lacks any real depth. The Kerala backdrop, though visually pleasant, fails to enhance the narrative, as the director doesn’t utilize the setting to its full potential, leading to a sense of inauthenticity. Additionally, the father-son emotional angle in the latter half feels abrupt and underdeveloped. With better emotional depth and smoother execution, the film could have delivered a more engaging experience.
Earlier, this might have worked for a genre that aims purely to entertain, but here the comedy and entertainment quotient go completely overboard, crossing into the cringe zone and feeling outright silly. Template driven and routine to the core in its narration. Only a few comedy bits and Kiran Abbavaram’s energy work so far. The rest is over the top and doesn’t land.
The film truly picks up momentum only around the interval, with the introduction of a crucial twist that adds some intrigue. However, the pacing remains sluggish in parts, and tighter editing would have made a big difference
Technical Department:
Chaitanya Bharadwaj’s music works fairly well, with Kalale Kalale emerging as the highlight among the songs. The background score carries a quirky tone that complements the film’s youthful vibe. Sateesh Reddy Masam’s cinematography is appealing, with vibrant visuals that add a festive touch. The production values are commendable, though the editing could have been sharper.
As for debutant director Jains Nani, he delivers a passable effort. While the first half suffers from several shortcomings, he attempts to compensate with an engaging second half, managing to succeed only to an extent. The film touches upon a relevant psychological issue but does so within the framework of a commercial entertainer.
Verdict:
Altogether, K-Ramp is a silly and outdated film that’s over the top from start to finish! The film follows a very simple story with a routine to the core screenplay that we’ve seen countless times before Hence making a tiring watch during this festival weekend.
